When I first saw the floor plan for this tour, I knew that U2 and company kept the stages from their Innocence + Experience Tour 2015. I was very pleased because I really liked the set-up. There literally was not a bad seat in the house.
Taking into consideration that Songs of Experience is a companion piece to Songs of Innocence, the accompanying tours should also follow suit. My guess is that this was probably the plan from the very beginning.
Of all of the tour stages that the band has used since Joshua Tree Tour 1987 (my first), this is probably the best in allowing them move through crowd. I chose reserved seating for both nights during i+e 2015 at SAP Center in San Jose. Although I wanted GA tickets—for both nights—it was impractical. It was also presumptuous to submit my party to the all-day affair that is General Admission.
Having reserved seats did have the advantage of enjoying the full visual spectacle of that massive screen. I had reserved seats again for the first night of this tour and was again treated some technological wizardry. I downloaded e+i Tour app and got my first taste of Augmented Reality.
I’m always impressed with how our boys find new ways to incorporate technology into their shows. Once I launched the app from my Jurassic iPhone 5S and it used the camera lens to capture the LED screen
I’m always impressed with how our boys find new ways to incorporate technology into their shows. Once I launched the app from my Jurassic iPhone 5S, it used the camera lens to capture the LED screen and stage in front of me. What I saw was a huge waterfall spilling over the top of the screen and crashing into a pool below. It was a very cool effect. My buddy tried it on his iPhone 8 Plus and I immediately wished I wasn’t so cheap and bought a new phone—the effect on his was much better. Alas, I’m a guy on a budget.
One of the advantages of this tour was that I knew what to expect. I knew the layout of the floor and where the band liked to play. That gave me a good idea of how to set up my shots. I used the same camera as I did for i+e 2015; but adjusted some of the settings to improve—hopefully—from the last time. What I quickly learned from that tour was that I needed to set the camera to shoot faster and in rapidly changing light. In addition, I needed to find a way to steady the camera better. And, I needed an SD card to could write faster.
While I did accomplish all of that, it is still very difficult for a fan to get good shots at a concert. I have tons of respect for concert photographers.
At that point, I was as prepared as I could be. I knew that when the house lights came down and the band took the stage, there was nothing left to do but shoot.
In my next post, I will write about how our boys kicked off the show.